Here are a number of 80’s Pene movies and clips that are currently on xvideos.com. Thanks very much to David for sending many of these links:
Full Movies:
Hindi mapigil ang
Sabik.Kasalanan.Ba
Kilit
Hayk sa laman
Scorpio Nights
Virgin People (censored version)
Company of Women
Mahal Idiin Mo Pa
Sakin ang gabi sayo ang umaga
Masarap sa dilim
Narcisa
Clips:
Oldies But Goodies
Classic Philippine Sex Scenes
Myra Manibog
Amanda Amores
Cast your vote by clicking on a thumbnail and then clicking the Vote button on the bottom of the page:
This page contains an assortment of information about other bold actresses, actors and movies.
In addition to the lesbian scenes shown on the pages for Barbara Benitez, Didith Romero, Maria Isabel Lopez and Myrna Castillo, there were two great girl-on-girl scenes in When Good Girls Go Wrong (1987, Avon Cortez, Dianne, Isadora):
as well as a hot scene from Island of Desire (1987, actresses unknown):
Although this website is dedicated to the beautiful bold Pinays from the 80’s, there would have been few bold films without accompanying actors. Here are a few of the bold men:
George Estregan
George was one of, if not the, most famous and accomplished dramatic lead actors of the era. Born in 1939, he was a three time FAMAS award winner. He starred in over 170 action and drama movies between 1963 and 1988. Several hardcore “Pene” videos surfaced in the 80’s showing him having sex with various actresses he costarred with.
Often these were hardcore clips of actual scenes from his movie. Explicit footage was cut out of the film before it was released in theaters. George was in his mid to late 40’s during the bold 80’s, and some of the actresses were younger than his own daughter, but his public image was never tarnished by these explicit videos. He died from bone cancer in 1988 at the age of 48, and still remains a popular Filipino movie icon from the 70’s and 80’s.
Mark Joseph
Known during the 80’s as the “Pene King”, Mark Joseph (real name, Ricardo Sarzuello) was the boldest leading actor of the era. After unsuccessfully trying to break into movies as a leading man, only to languish on the sidelines, he accepted an offer to appear in the bold film Babasagin. “I used that as a stepping stone,” he recounted in an interview years later. “I did bold roles because I wanted to make a name for myself.” Over the next four years, he starred in dozens of bold movies, among them, Silip (1985), Bold Star (1986), Black Diary (1986), Kiri (1986), and Hudas (1987). He actually had sex with his leading ladies in the films, although these “Pene” shots were edited out for theatrical release. He later explained that they had sex on camera because the realism would “make a good film.” Although he kept his personal life private, he was happily married, with children, during his reign as “Pene King.”
Joseph switched to action films in 1990 with moderate success. In 1991, he began producing his own films, but lost money and left the entertainment business. He studied chiropractic in the U.S. at the University of the Art of Healing in California from 1992-1995, then returned to the Philippines, where he was a licensed chiropractor in Quezon City. He also sold medical equipment.
Daniel Fernando
Daniel wasn’t a prolific “Pene” film star like George and Mark, but is mentioned because he starred in two of the most famous Philippine bold films from the 80’s. He began his four-decade-long acting career costarring with Anna Marie Gutierrez in the sizzling erotic classic, Scorpio Nights when he was 23. His next major role was in Macho Dancer (1988), in which he played a gay dancer in Manila gay bars. The film’s frank depiction of homosexuality, prostitution, and sex caused the Filipino government to censor it heavily, but like many bold Pinay movies, uncensored versions later surfaced. Daniel transitioned from film to television in 1998, and also began a career in politics. He is currently Vice Governor of the Province of Bulacan.
Rey dela Cruz
A self-proclaimed “star builder,” Rey dela Cruz was one of the most controversial Filipino movie figures of the 80’s. A Doctor of Optometry turned movie talent agent, dela Cruz achieved notorious success by finding beautiful, impoverished young Filipinas and building them into bold actresses. In spotting potential stars, he intentionally avoided “beauty queens and middle-class women,” instead looking for poor, “ordinary persons because they’ll be sincere and persevering.” His discoveries included Lampel Cojuangco, Myrna Castillo, Sarsi Emmanuelle, Pepsi Paloma, Coca Nicolas, and Myra Manibog, among others. Accused in the media of being a glorified pimp, dela Cruz at one point was charged in court for the exploitation of minors, since some of his starlets were significantly underage –Pepsi was barely thirteen when he signed her to the bold film Brown Emmanuelle– but he was never convicted. See-True, a then-popular TV talk show that mostly featured film personalities, identified him as their most controversial guest.
His reputation was made more infamous when Pepsi was found dead in 1985 of an apparent suicide. In a 1986 interview, dela Cruz stated, “I don’t understand why people take my controversial status against me. I provide a living for my discoveries, I give the masses the entertainment they want, and I make a living in the process.” In 1987, dela Cruz was shot to death in the optical clinic where he lived. His murder was never solved.
Stella Strada, born Suzette Bishop, had a challenging youth. Her mother reportedly died while she was young, and her father was absent during much of her childhood. She had no permanent home, was sexually molested at the age of nine, and was in and out of jail on vagrancy charges.
When she was 16, Robbie Tan, then head of Seiko Films, discovered her. That year, she debuted as Stella Strada, the sexy star of the 1983 bold movie Kirot. The film was a box office hit and was followed by a string of other successful bold movies with her as the star.
In 1984, Stella became a born again Christian and stopped doing bold films. Acting offers dwindled. She became depressed and began using drugs. Ernie Garcia, who co-starred with her in Angkinin Mo Ako, said she become suicidal: during their shooting of the film, Strada covered her arms with bandages, apparently because she had cut her wrists in one of several suicide attempts.
On December 28, 1984, she committed suicide together with her confidant and make-up artist, Rene Mas. The two hung themselves in her bedroom in San Juan. A suicide note was found in Stella’s handwriting.
She earned a posthumous URIAN citation for Best Actress for the movie Puri. Like Pepsi Paloma, her beautiful flame was extinguished much too early.
Sarsi Emmanuelle was a popular bold actresses of the 80’s. Born Maria Jennifer Obregon Mitchell, she studied in Catholic school and had a good family upbringing in Manila. However, her parents separated during her teenage years, and she discovered her wild side. She began a relationship with a much older man, and took work as a go-go dancer in several Manila beerhouses. When she was 20, she was discovered by Rey dela Cruz, her mother’s optometrist who was also a movie talent scout. “Rey approached me and asked me if I wanted to join showbiz,” Sarsi later related. “I thought there was no harm in trying so I took the opportunity.” Dela Cruz gave her the screen name Sarsi Emmanuelle, and she became part of a popular trio -along with Pepsi Paloma and Coca Nicolas– nicknamed by del Cruz as the “softdrink beauties.” In a short time, Sarsi went from earning just P3,000 a month dancing, to an asking price of P300, 000 per film at the peak of her success.
Her movie debut was in the film Brown Emmanuel in 1982. A string of bold films followed, all of which were commercial successes, and some of which were critically acclaimed as well. In 1984 she was nominated for the Gawad URIAN Best Actress award for her role in Tikoy Aguiluz’s movie, Boatman.
In the 1990s, Sarsi disappeared from the limelight. “I wanted to live a normal life again -that’s why I left showbiz,” Sarsi said in an interview years later. “I wanted to be able to do ordinary things again like shopping or riding a jeepney without creating a commotion.” She invested her acting money in several business attempts, none of which were successful. She was last reported living a simple life as a cashier for a booth in a carnival fairground (perya).
Pepsi Paloma’s story is both tragic and, after all these years, still shrouded in suspicion and mystery. Her real name was Belia Smith. She was the daughter of Lydia Duenas, a Filipina from Borac, Northern Samar, and Kenneth Smith, an American postal worker who left when Delia and her three sisters were still young. She blossomed into a beautiful girl, and at the age of thirteen, Delia’s mother brought her to talent scout Tita Ester, who introduced her to talent manager Rey dela Cruz. Dela Cruz changed Delia’s name to Pepsi Paloma, and she became one of his “softdrink beauties” -a trio of bold stars that also included Sarsi Emmanuelle and Cola Nicolas. At the age of thirteen, she was given a starring role in her first bold film, Brown Emmanuelle (1981). Despite her age, she appeared nude on screen and engaged in softcore straight and lesbian sex.
In 1982, she stared in two more bold movies: Krus sa bawat punglo and The Victim. While promoting one of her movies that year, she met actors Vic Sotto, Joey de Leon and comedian Richie D’Horsie. Allegedly the three drugged her in a bar and then gang raped her in a hotel room. Pepsi went to the authorities and the accusations made headlines. If convicted, Sotto, de Leon and D’Horsie would have faced the death penalty. But Senator Tito Sotto, the younger brother of Vic, intervened. He went to see Pepsi and allegedly coerced her into signing an affidavit that dropped the rape complaint. He did this by “placing a pistol on the table in front of her,” according to an Inquirer reporter who investigated what happened.
Pepsi continued her movie career, starring in number of bold movies over the next few years, including Suicide Mama (1983), Naked Island (1984), Matukso kaya ang anghel? (1984), Snake Sisters (1984), and Room 69 (1985).
But her life ended tragically when, at the age of seventeen, she was found dead in her apartment, hanging in her closet with a “three-inch thick and 36-inch long cotton sash” tied around her neck. Police concluded that she committed suicide due to financial problems, citing a diary found in her apartment. Her manager at the time, Babette Corcuerra, disputed the police report, stating that Pepsi “was earning well” and that she was “fully booked for dance performances.” In addition, Pepsi had just concluded performing the “Pepsi Paloma Show” in beerhouses around Metro Manila, and had three pending film offers from various producers. The validity of the diary was never established, and Corcuerra’s implication was that Pepsi was murdered.
Questions remain over Pepsi’s sad death, but one thing is certain: her vibrant life ended much too early.
There isn’t much information available about voluptuous Olivia. She had a gorgeous face and body, and was an actress from 1984-1989. Among her bold movies were Babasagin (1985), Bold Star (1986) and Dingding lang ang pagitan (1986). If you have information about this beautiful actress, please drop me an email: timothy@bold80spinays.com
When controversial talent agent Rey dela Cruz discovered her, Myrna Castillo’s family was reportedly so poor that Myrna was sleeping in a chicken coop in Tondo. Her hardworking mother was a widow, doing her best to support her children in the squalid conditions they lived in. Dela Cruz, an optometrist by vocation, was also a film talent scout -a self-proclaimed “star builder” because of his success at turning impoverished, pretty young girls into movie celebrities.
Myrna was fifteen when he found her in 1980. In a Cinderella story that made tabloid and newspaper headlines, she went from living in squalor and selling bananas after school, to staring in her first film, Ito and Babae, in 1980. Her 17-year acting career spanned over 30 movies. Like many of dela Cruz’s actresses, she starred in numerous bold films, such as Brown Emmanuelle (1982), Virgin People (1984), and When Good Girls Go Wrong (1987). Many cut, explicit “Pene” clips of her exist.
There was even a censored lesbian scene from Hudas (1987). Here is the scene as it appeared in the theater:
And here are stills from the cut footage:
Myra had a difficult childhood. Born Geraldine Zervoulakos, her mother was abandoned by her father on the day Myra was born. Her family was extremely poor, and she was repeatedly molested by her stepfather. At the age of 11, she dropped out of school to work as a commercial print model. She was a stunning beauty and, dreaming of fame and fortune, joined the movies to earn money for her family. Under the screen name Myra Manibog, she became a star after doing the bold film Snake Sisters in 1984 for director Celso Ad Castillo. She was one of the top bold stars of the era, appearing in more than 30 movies over seven years. Among her other film credits were:
Her bold acting included “Pene” scenes that featured actual penetration, though the explicit sex was censored for theatrical release.
She was married in 1987 and left the film industry when she became pregnant in 1989. Her last movie was Alias Pusa with Ramon Revilla. She and her husband battled shabu addiction and later separated. A single parent, Myra began selling french fries to school children, cooking at five in the morning and earning just P100 a day. Struggling to provide for her family, Myra took work in Japan as a document translator and as a club manager at night. She remained in Japan for 10 years before returning to the Philippines, where she turned her life around and now works as an assistant vice president at a BPO company in Cavite. She is also the manager of her children’s band, Alekza, Kevin and Aika, collectively known as A.K.A., and produced their debut album.
Open to acting again, Myra appeared in the television series Maalaala mo kaya in 2004.
The daughter of a US serviceman and a Filipina, Maureen Mauricio was one of, if not the, most beautiful starlets of the Bold era. With a mixed heritage, she had fair skin, a gorgeous face and a voluptuous figure. Her acting career was launched when she was just thirteen years old in the 1984 movie Nalalasap Ang Hapdi. The following year she had a minor role in the bold movie Climax, in which she acted alongside bold icons Anna Marie Gutierrez and Barbra Benitez. In 1986, at the age of fifteen, she exploded onto the bold scene, staring in ten films. Some of her notable movies include:
In the 1990’s, Maureen moved from bold movies to serious dramatic roles in both film and television. After working with several esteemed directors, her career slowed. While accepting small parts and guest appearances on television, she ran a beauty parlor and focused on raising her three daughters. In recent years, she has accepted more television roles, including the 2017 series Maalaala Mo Kaya. Her acting and screen presence are highly regarded within the industry. Neither her looks nor her talent have faded with age, and she remains a strikingly beautiful woman.